Conrad's Fiction as Critical Discourse
Cambridge University Press
Edition: First Edition, 8/8/1991
EAN 9780521403498, ISBN10: 0521403499
Hardcover, 268 pages, 22.9 x 15.2 x 1.9 cm
Joseph Conrad's comments about his works have commonly been dismissed as theoretically unsophisticated, while the critical notions of James, Woolf and Joyce have come to shape our understanding of the modern novel. Richard Ambrosini's study of Conrad's Fiction as Critical Discourse makes an original claim for the importance of his theoretical ideas as they are formed, tested, and eventually redefined in Heart of Darkness and Lord Jim. Setting the narrator's discourse in these tales in the context of the dynamic interplay of Conrad's fictional with his non-fictional writings, and of the transformations in his narrative forms, Ambrosini defines Conrad's view of fiction and the artistic ideal underlying his commitment as a writer in a new and challenging way. Conrad's innovatory techniques as a novelist are shown in the continuity of his theoretical enterprise, from the early search for an artistic prose and a personal novel form, to the later dislocations of perspective achieved by manipulation of conventions drawn from popular fiction. This reassessment of Conrad's critical thought offers a new perspective on the transition from the Victorian novel to contemporary fiction.
List of abbreviations
1. The critical discourse
2. Working on language and structure
alternative strategies in The Nigger of the 'Narcissus,' 'Karain' and 'Youth'
3. The mirror effect in 'Heart of Darkness'
4. Lord Jim (I)
the narrator as interpreter
5. Lord Jim (II)
the narrator as reader