Medieval Shakespeare: Pasts and Presents

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Cambridge University Press
Edition: Illustrated, 2/7/2013
EAN 9781107016279, ISBN10: 1107016274

Hardcover, 278 pages, 22.9 x 15.2 x 1.8 cm
Language: English
Originally published in English

For many, Shakespeare represents the advent of modernity. It is easy to forget that he was in fact a writer deeply embedded in the Middle Ages, who inherited many of his shaping ideas and assumptions from the medieval past. This collection brings together essays by internationally renowned scholars of medieval and early modern literature, the history of the book and theatre history to present new perspectives on Shakespeare and his medieval heritage. Separated into four parts, the collection explores Shakespeare and his work in the context of the Middle Ages, medieval books and language, the British past, and medieval conceptions of drama and theatricality, together showing Shakespeare's work as rooted in late medieval history and culture. Insisting upon Shakespeare's complexity and medieval multiplicity, Medieval Shakespeare gives readers the opportunity to appreciate both Shakespeare and his period within the traditions that fostered and surrounded him.

Introduction Helen Cooper
Part I. The Middle Ages and Shakespeare
1. Shakespeare's Middle Ages Bruce R. Smith
2. Late Shakespeare and the Middle Ages Bart van Es
Part II. Books and Language
3. The mediated 'medieval' and Shakespeare A. E. B. Coldiron
4. 'Not know my voice?'
Shakespeare corrected
English perfected - theories of language from the Middle Ages to Modernity Jonathan Hope
5. The afterlife of personification Helen Cooper
Part III. The British Past
6. 'King Lear in BC Albion' Margreta de Grazia
7. Shakespeare and the remains of Britain Ruth Morse
Part IV. The Theatrical Dimension
8. The art of playing Tom Bishop
9. Blood begetting blood
Shakespeare and the Mysteries Michael O'Connell
10. From scaffold to discovery-space
change and continuity Janette Dillon
11. Performing the Middle Ages Peter Holland
12. Afterword
the evil of 'medieval' David Bevington.