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Metaphors of Depth in German Musical Thought: From E. T. A. Hoffmann to Arnold Schoenberg: 21 (New Perspectives in Music History and Criticism, Series Number 21)

Metaphors of Depth in German Musical Thought: From E. T. A. Hoffmann to Arnold Schoenberg: 21 (New Perspectives in Music History and Criticism, Series Number 21)

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Holly Watkins
Cambridge University Press
Edition: Illustrated, 9/1/2011
EAN 9781107010918, ISBN10: 1107010918

Hardcover, 350 pages, 24.9 x 17.5 x 2.3 cm
Language: English
Originally published in English

What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation.

Introduction
1. From the mine to the shrine
the critical origins of musical depth
2. Adolf Bernhard Marx and the inner life of music
3. Robert Schumann and poetic depth
4. Richard Wagner and the depths of time
5. Heinrich Schenker and the apotheosis of musical depth
6. Schoenberg's interior designs
Bibliography.