The Guitar in Tudor England: A Social and Musical History (Musical Performance and Reception)
Cambridge University Press, 7/30/2015
EAN 9781107108363, ISBN10: 1107108365
Hardcover, 270 pages, 24.7 x 17.4 x 1.6 cm
Language: English
Few now remember that the guitar was popular in England during the age of Queen Elizabeth and Shakespeare, and yet it was played everywhere from the royal court to the common tavern. This groundbreaking book, the first entirely devoted to the renaissance guitar in England, deploys new literary and archival material, together with depictions in contemporary art, to explore the social and musical world of the four-course guitar among courtiers, government servants and gentlemen. Christopher Page reconstructs the trade in imported guitars coming to the wharves of London, and pieces together the printed tutor for the instrument (probably of 1569) which ranks as the only method book for the guitar to survive from the sixteenth century. Two chapters discuss the remains of music for the instrument in tablature, both the instrumental repertoire and the traditions of accompanied song, which must often be assembled from scattered fragments of information.
Introduction
1. Imagery
2. Who owned a gittern?
3. The gittern trade
4. 'An instruction to the Gitterne'
5. Sounding strings
6. The gittern and Tudor song
7. Thomas Whythorne
the autobiography of a Tudor guitarist
Conclusion
Appendices
Appendix A. The terms 'gittern' and 'cittern'
Appendix B. References to gitterns from 1542–1605
Appendix C. The probate inventory of Dennys Bucke (1584)
Appendix D. Octave strings on the fourth and third course
Appendix E. The fiddle tunings of Jerome of Moravia, swept strings and the guitar
Appendix F. The mandore and the wire-strung gittern
Appendix G. The ethos of the guitar in sixteenth-century France
Appendix H. Raphe Bowle.