The Seduction Narrative in Britain, 1747–1800
Cambridge University Press, 9/24/2009
EAN 9780521111348, ISBN10: 052111134X
Hardcover, 254 pages, 23.4 x 15.8 x 1.8 cm
Language: English
Eighteenth-century literature displays a fascination with the seduction of a virtuous young heroine, most famously illustrated by Samuel Richardson's Clarissa and repeated in 1790s radical women's novels, in the many memoirs by fictional or real penitent prostitutes, and in street print. Across fiction, ballads, essays and miscellanies, stories were told of women's mistaken belief in their lovers' vows. In this book Katherine Binhammer surveys seduction narratives from the late eighteenth century within the context of the new ideal of marriage-for-love and shows how these tales tell varying stories of women's emotional and sexual lives. Drawing on new historicism, feminism, and narrative theory, Binhammer argues that the seduction narrative allowed writers to explore different fates for the heroine than the domesticity that became the dominant form in later literature. This study will appeal to scholars of eighteenth-century literature, social and cultural history, and women's and gender studies.
Introduction
1. Knowing love
the epistemology of Clarissa
2. The whore's love or the Magdalen's seduction
3. After knowledge
married heroines and seduction
4. Seduction in street literature
5. Melodramatic seduction
1790s fiction and the excess of the real
Bibliography.
'All in all, the examination of seduction narratives turns out to be more productive in filling in the subtleties of women's history than one might have thought before reading this well-argued book.' Ruth Perry, Times Literary Supplement