A Handbook to Twentieth-Century Musical Sketches

Cambridge University Press
Edition: Illustrated, 12/2/2004
EAN 9780521808606, ISBN10: 052180860X

Hardcover, 270 pages, 24.4 x 17 x 1.6 cm
Language: English
Originally published in English

This indispensable handbook, first published in 2004, explains how scholars and students should work with and think about the composer's working manuscripts. This book surveys the knowledge necessary to work efficiently in archives and libraries housing this material and with the skills and techniques specifically related to sketch studies: transcription, reconstructing sketchbooks, deciphering handwriting, dating documents. It deals with the music of important twentieth-century composers and presents visual examples of manuscripts from the collections of world-renowned institutions such as the Paul Sacher Foundation. The book aims to make the work of both researchers and students more efficient and rewarding.

Introduction Friedemann Sallis and Patricia Hall
1. Sketches and sketching Giselher Schubert and Friedemann Sallis
2. Preliminaries before visiting an archive Ulrich Mosch
3. Archival etiquette Therese Muxeneder
4. Coming to terms with the composer's working manuscripts Friedemann Sallis
5. The classification of musical sketches exemplified in the catalogue of the Archivio Luigi Nono Erika Schaller
6. Digital preservation of archival material William Koseluk
7. Transcribing sketches Regina Busch
8. A tale of two sketchbooks
reconstructing and deciphering Alban Berg's sketchbooks for Wozzeck Patricia Hall
9. 'Written between the desk and the piano'
dating Béla Bartók's sketches László Somfai
10. Defining compositional process
idea and instrumentation in Igor Stravinsky's Ragtime (1918) and Pribaoutki (1915) Tomi Mäkelä
11. Floating hierarchies
organisation and composition in works by Pierre Boulez and Karlheinz Stockhausen during the 1950s Pascal Decroupet
12. Elliot Carter's sketches
spiritual exercises and craftsmanship Denis Vermaelen
13. E-Sketches
Brian Ferneyhough's use of computer assisted compositional tools Ross Feller
14. John Cage's Williams Mix (1951–3)
the restoration and new realizations of and variations on the first octophonic, surround-sound tape composition Larry Austin
Appendix. Select list of institutions housing manuscript collections of twentieth-century composers.