Brahms's Elegies: The Poetics of Loss in Nineteenth-Century German Culture (Music in Context)
Cambridge University Press, 8/19/2021
EAN 9781108464765, ISBN10: 1108464769
Paperback, 294 pages, 24.4 x 17 x 1.7 cm
Language: English
Originally published in English
Nicole Grimes provides a compellingly fresh perspective on a series of Brahms's elegiac works by bringing together the disciplines of historical musicology, German studies, and cultural history. Her exploration of the expressive potential of Schicksalslied, Nänie, Gesang der Parzen, and the Vier ernste Gesänge reveals the philosophical weight of this music. She considers the German tradition of the poetics of loss that extends from the late-eighteenth-century texts by Hölderlin, Schiller and Goethe set by Brahms, and includes other philosophical and poetic works present in his library, to the mid-twentieth-century aesthetics of Adorno, who was preoccupied as much by Brahms as by their shared literary heritage. Her multifaceted focus on endings - the end of tonality, the end of the nineteenth century, and themes of loss in the music - illuminates our understanding of Brahms and lateness, and the place of Brahms in the fabric of modernist culture.
Introduction
1. Brahms's ascending circle
Hölderlin and Schicksalslied
2. The ennoblement of mourning
Nänie and the death of beauty
3. A disembodied head for mythic justice
Gesang der Parzen
4. The last great cultural harvest
Nietzsche and the Vier ernste Gesänge
5. The sense of an ending
music's return to the land of childhood
Epilogue.