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Clothing the Poor in Nineteenth-Century England

Clothing the Poor in Nineteenth-Century England

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Vivienne Richmond
Cambridge University Press, 9/19/2013
EAN 9781107042278, ISBN10: 1107042275

Hardcover, 355 pages, 23.1 x 15.5 x 3 cm
Language: English

In this pioneering study Vivienne Richmond reveals the importance of dress to the nineteenth-century English poor, who valued clothing not only for its practical utility, but also as a central element in the creation and assertion of collective and individual identities. During this period of rapid industrialisation and urbanisation formal dress codes, corporate and institutional uniforms, and the spread of urban fashions replaced the informal dress of agricultural England. This laid the foundations of modern popular dress and generated fears about the visual blurring of social boundaries as new modes of manufacturing and retailing expanded the wardrobes of the majority. However, a significant impoverished minority remained outside this process. Clothed by diminishing parish assistance, expanding paternalistic charity and the second-hand trade, they formed a 'sartorial underclass' whose material deprivation and visual distinction was a cause of physical discomfort and psychological trauma.

Introduction
identifying the poor, locating their clothes
1. Setting the standard
working-class dress
2. 'Frankly a mystery'
budgeting for clothes
3. 'Poverty busied itself'
buying clothes
4. 'Woman's best weapon'
needlework and home-made clothing
5. 'The struggle for respectability'
6. The sense of self
7. 'The bowels of compassion'
clothing and the Poor Law
8. 'An urgent desire to clothe them'
ladies' clothing charities
9. 'We have nothing but our clothes'
charity schools and servants
10. 'The greatest stigma and disgrace'
lunatic asylums, workhouses and prisons
Conclusion
no finery
Bibliography.

Advance praise: 'Vivienne Richmond demonstrates the power of clothing in the lives of the working and indigent poor of nineteenth-century England: children, women and men. This is an innovative exploration of clothing cultures, both those crafted by individuals and those imposed by state and institutional authorities. Subtle and insightful, Richmond brings new perspectives to this important topic.' Beverly Lemire, University of Alberta