Goethe's Faust: Theatre of Modernity
Cambridge University Press, 5/5/2011
EAN 9780521194648, ISBN10: 0521194644
Hardcover, 346 pages, 22.9 x 15.2 x 2.1 cm
Language: English
Faust has been called the fundamental icon of Western culture, and Goethe's inexhaustible poetic drama is the centrepiece of its tradition in literature, music and art. In recent years, this play has experienced something of a renaissance, with a surge of studies, theatre productions, press coverage and public discussions. Reflecting this renewed interest, leading Goethe scholars in this volume explore the play's striking modernity within its theatrical framework. The chapters present new aspects such as the virtuality of Faust, the music drama, the modernization of evil, Faust's blindness, the gay Mephistopheles, classic beauty and horror as phantasmagoria, and Goethe's anticipation of modern science, economics and ecology. The book contains an illustrated section on Faust in modern performance, with contributions by renowned directors, critics and dramaturges, and a major interview with Peter Stein, director of the uncut 'millennium production' of Expo 2000.
Introduction Hans Schulte
Part I. Modernity
1. Faust – today Albrecht Schöne
2. Mephisto and the modernization of evil Rolf-Peter Janz
3. Mephisto is the devil – or is he? Peter Huber
4. 'Schwankende Gestalten'
virtuality in Goethe's Faust Ulrich Gaier
5. Amnesia and anamnesis in Goethe's Faust Wolf-Daniel Hartwich
6. Cagliostro and Saint-Simon in Goethe's Faust II Hans-Jürgen Schings
7. Faust's blindness Eberhard Lämmert
8. From Faust to Harry Potter
discourses of the centaurs Gisela Brude-Firnau
9. Mistra and the Peloponnes in Goethe's Faust II Wilhelm Blum
10. Goethe and the grotesque
the 'classical Walpurgis night' Angela Borchert
11. Redefining classicism
antiquity in Faust II Ernst Osterkamp
12. Mephisto, the angels, and the homoerotic in Faust II W. Daniel Wilson
Part II. Theatre
13. Goethe's Faust
theatre, meta-theatre, tragedy Martin Swales
14. Faust beyond tragedy
hidden comedy, covert opera Dieter Borchmeyer
15. Theatricality and experiment
identity in Faust Jane Brown
16. Rhetorical action
Faust between rhetoric, poetics, and music Helmut Schanze
17. Directing Faust
an interview Peter Stein
18. A contradictory whole
Peter Stein stages Faust Dirk Pilz
19. Rethinking and staging Faust at the State Theatre Stuttgart, 2005/6 Jörg Bochow
20. Strehler's Faust in performance Laura Caretti
Select bibliography.