Music and Culture in the Middle Ages and Beyond
Cambridge University Press, 10/31/2016
EAN 9781107158375, ISBN10: 1107158370
Hardcover, 350 pages, 25.3 x 18 x 2.3 cm
Language: English
It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad cultural contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation.
Introduction Benjamin Brand and David J. Rothenberg
1. Music and liturgy in medieval Capua Thomas Forrest Kelly
2. Theory meets practice
the model antiphon series Primum quaerite in Hucbald's Office In plateis and in other post-Carolingian chant Barbara Haggh-Huglo
3. Singing from the pulpit
polyphonic improvisation and public ritual in medieval Tuscany Benjamin Brand
4. Liturgy and politics in Renaissance Florence
the creation of the 1526 Office for St Zenobius Marica S. Tacconi
5. Music and pageantry in the formation of Hispano-Christian identity
the Feast of St Hippolytus in sixteenth-century Mexico City Lorenza Candelaria
Part II. Archival and Source Studies
6. The sources and the sanctorale
dating by the decade in thirteenth-century Paris Rebecca A. Baltzer
7. Vernacular contexts for the monophonic motet
notes from a new source Mark Everist
8. Tradition and innovation in fourteenth-century instrumental music
evidence from archival and musical sources Keith Polk
9. Melchior or Marchion de Civilibus, prepositus brixiensis
new documents Margaret Bent
10. Papal musicians at Cambrai in the early fifteenth century Alejandro Enrique Planchart
11. Sixtus IV, the Franciscans, and the beginning of music printing in fifteenth-century Rome Jane A. Bernstein
Part III. Symbolism
12. The gate that carries Christ
wordplay and liturgical imagery in a motet from c.1300 David J. Rothenberg
13. A musical lesson for a king from the Roman de Fauvel Anne Walters Robertson
14. Preaching to the choir? Obrecht's Motet for the Dedication of the Church M. Jennifer Bloxam
15. The Madonna triptych
a mystical reading of three early music videos Andrew Tomasello.