Native American Song at the Frontiers of Early Modern Music (New Perspectives in Music History and Criticism)
Cambridge University Press, 3/27/2008
EAN 9780521866057, ISBN10: 0521866057
Hardcover, 302 pages, 22.8 x 15.2 x 1.7 cm
Language: English
Olivia A. Bloechl reconceives the history of French and English music from the sixteenth through to the eighteenth century from the perspective of colonial history. She demonstrates how encounters with Native American music in the early years of colonization changed the course of European music history. Colonial wealth provided for sumptuous and elite musical display, and American musical practices, materials, and ideas fed Europeans' taste for exoticism, as in the masques, ballets, and operas discussed here. The gradual association of Native American song with derogatory stereotypes of musical 'savagery' pressed Europeans to distinguish their own music as civilized and rational. Drawing on evidence from a wide array of musical, linguistic, and visual sources, this book demonstrates that early American colonization shaped European music cultures in fundamental ways, and it offers a fresh, politically and transculturally informed approach to the study of music in the early colonial Atlantic world.
1. On colonial difference and musical frontiers
directions for a postcolonial musicology
Part I. Transatlantic Savagery
2. Protestant imperialism and the metaphysics of new world song
3. The voice of possession
4. The voice of prophecy
Part II. Staging the Indian
5. Musicking Indians in the Stuart court masque
6. Savage Lully
7. Rameau's Les sauvages and the aporia of musical nature
Conclusion. Opera, elsewhere.