Painting, Ethics, and Aesthetics in Rome (Greek Culture in the Roman World)
Cambridge University Press, 1/24/2019
EAN 9781108420129, ISBN10: 1108420125
Hardcover, 308 pages, 25 x 18.4 x 2 cm
Language: English
In the first centuries BCE and CE, Roman wall painters frequently placed representations of works of art, especially panel paintings, within their own mural compositions. Nathaniel B. Jones argues that the depiction of panel painting within mural ensembles functioned as a meta-pictorial reflection on the practice and status of painting itself. This phenomenon provides crucial visual evidence for both the reception of Greek culture and the interconnected ethical and aesthetic values of art in the Roman world. Roman meta-pictures, this book reveals, not only navigated social debates on the production and consumption of art, but also created space on the Roman wall for new modes of expression relating to pictorial genres, the role of medium in artistic practice, and the history of painting. Richly illustrated, the volume will be important for anyone interested in the social, ethical, and aesthetic dimensions of artworks, in the ancient Mediterranean and beyond.
Introduction
the painting of painting in Ancient Rome
1. Winckelmann and the cultural dynamics of painting
2. Disrupting the frame
3. The ethics and politics of art
4. Transparent and opaque
medium and materiality on the Roman wall
5. Paradigms, ensembles, and anachronisms
Epilogue
reflection and reflexivity.