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Racism, Misogyny, and the Othello Myth: Inter-racial Couples from Shakespeare to Spike Lee

Racism, Misogyny, and the Othello Myth: Inter-racial Couples from Shakespeare to Spike Lee

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Celia R. Daileader
Cambridge University Press, 8/25/2005
EAN 9780521848787, ISBN10: 0521848784

Hardcover, 266 pages, 22.9 x 15.2 x 1.6 cm
Language: English

Through readings of texts spanning four centuries, and bridging the Atlantic - from genres as diverse as English Renaissance drama, abolitionist literature, gothic horror and contemporary romance - Daileader questions why Anglo-American culture's most widely-read and canonical narratives of inter-racial sex feature a black male and a white female and not a black female and a white male. This study considers the cultural obsession with stories patterned on Shakespeare's Othello alongside the more historically pertinent, if troubling, question of white male sexual predation upon black females. Daileader terms this phenomenon 'Othellophilia' - the fixation on Shakespeare's tragedy of inter-racial marriage to the exclusion of other definitions and more optimistic visions of inter-racial tension. This original study argues that masculinist racist hegemony used myths about black male sexual rapacity and the danger of racial 'pollution' in order to police white female sexuality and exorcise collective guilt over the sexual slavery of women of color.

Introduction
Othellophilia
1. White devils, black lust
inter-racialism in early modern drama
2. The heathen with the heart of gold
Othellophilia comes to America
3. Holes at the poles
gothic horror and the racial abject
4. Sisters in bondage
abolition, amalgamation, and the crisis of female authorship
5. Handsome devils
romance, rape, racism, and the rhet(t)oric of darkness
6. Invisible men, unspeakable acts
the spectacle of black male violence in modern American fiction
Conclusion
'White women are snaky'
jungle fever and its discontents.