Webern & the Transformation Nature
Cambridge University Press
Edition: New e., 1/12/2008
EAN 9780521027861, ISBN10: 0521027861
Paperback, 288 pages, 22.9 x 15.2 x 1.8 cm
Language: English
This book is about the way in which a society constructs an idea of nature and the role that art, and specifically music, may have in the articulation of that idea. It explores such an idea in relation to Webern, whose music has been almost exclusively portrayed as abstract and autonomous. In opposition to the exclusively formalist concerns of post-Darmstadt Webern reception, this book argues that abstraction in music is understood fully only in relation to the material, historical reality from which it abstracts, and that musical modernism is more fully understood by exposing its underground roots in the aesthetics of romanticism.
Acknowledgements
1. The social construction of nature
2. A maternal landscape
the early works (1899–1905)
3. Paradise lost
the Dehmel Lieder to Op. 11 (1906–14)
4. The transformation of memory
the vocal works Op. 12-Op. 19 (1914–26)
5. Ideal landscapes
the serial works Op. 20-Op. 31 (1926–43)
6. Webern, nature and modernism
Appendices
Notes
Select bibliography
Index.