Sisters in Sin: Brothel Drama in America, 1900–1920 (Cambridge Studies in American Theatre and Drama)
Cambridge University Press, 4/20/2006
EAN 9780521855051, ISBN10: 0521855055
Hardcover, 278 pages, 22.8 x 15.2 x 1.9 cm
Language: English
The prostitute, and her sister in sin - the so-called 'fallen' woman - were veritable obsessions of American Progressive Era culture. Their cumulative presence, in scores of controversial theatrical productions, demonstrates the repeated obsession with the prostitute figure in both highbrow and lowbrow entertainments. As the first extended examination of such dramas during the Progressive Era, Sisters in Sin recovers a slice of theatre history in demonstrating that the prostitute was central to American realist theatre. Such plays about prostitutes were so popular that they constituted a forgotten genre - the brothel play. The brothel drama's stunning success reveals much about early twentieth-century American anxieties about sexuality, contagion, eugenics, women's rights and urbanization. Introducing previously unexamined archival documents and unpublished play scripts, this original study argues that the body of the prostitute was a corporeal site upon which modernist desires and cultural imperatives were mapped.
Introduction
The Brothel Drama
Part I. The Female Performer as Prostitute
1. Zaza
that 'obtruding harlot' of the stage
2. That 'sin-stained' Sapho
3. The Easiest Way and the actress-as-whore myth
Part II. Working Girls
4. The shop girl
working girl dramas
5. The girl shop
Mrs Warren's Profession
Part III. Opium Dens and Urban Brothels
Staging the White Slave
6. White slave plays in progressive American theatre
7. Brothel anyone? Laundering the 1913–14 white slave season
Part IV. The Legitimation and Decline of the Brothel Drama
8. Damaged Goods
sex hysteria and the Prostitute Fatale
9. The repentant courtesan in Anna Christie and the lesbian prostitute in The God of Vengeance.