The Genealogy of Aesthetics
Cambridge University Press, 8/15/2002
EAN 9780521811828, ISBN10: 0521811821
Hardcover, 454 pages, 23.6 x 16 x 3.4 cm
Language: English
Is it body or spirit that makes us appreciate beauty and create art? The distinguished Canadian critic Ekbert Faas argues that, with occasional exceptions like Montaigne and Mandeville, the mainstream of western thinking about beauty from Plato onwards has overemphasised the spirit, or even execrated the body and sexuality as inimical to the aesthetic disposition. The Genealogy of Aesthetics redresses this imbalance via a radical re-reading of seminal thinkers like Plato, Augustine, Kant, Hegel, Marx, Heidegger and Derrida. Professor Faas attacks both the traditional and postmodern consensus, and offers a new pro-sensualist aesthetics, heavily influenced by Nietzsche, that draws on contemporary neo-Darwinian cognitive science. A work of both polemic and considerable learning, The Genealogy of Aesthetics marks a radical new departure in thinking about art, of interest to all serious students of the humanities and cognitive sciences, which no future work in this field can afford to ignore.
Acknowledgements
Introduction
1. Plato's transvaluations of aesthetic values
2. Proto-Nietzschean opponents to Plato
3. Late Antiquity, Plotinus, and Augustine
4. Augustine's Platonopolis
5. The Middle Ages
6. The Renaissance
7. The Renaissance Academy, Ficino, Montaigne, and Shakespeare
8. Hobbes and Shaftesbury
9. Mandeville, Burke, Hume, and E. Darwin
10. Kant's ethicoteleological aesthetics
11. Kant's midlife conversion
12. Hegel, Feuerbach, and Marx
13. Marx's Nietzschean moment
14. Heidegger's 'destruction' of traditional aesthetics
15. Heidegger contra Nietzsche
16. Heidegger, Nietzsche, and Derrida
17. Différance, Freud, Nietzsche, and Artaud
18. Derrida's mega-transcendentalist Mimesis
19. Postmodern or Pre-Nietszschean? Derrida, Lyotard, and de Man
20. The Postmodern revival of the aesthetic ideal
Afterword.
'This extensively researched and outspoken book by Ekbert Faas gives aesthetic theory a decisive push in its move from the head into the body, as it were, and in so doing opens aesthetics to a wide array of new approaches from the direction, broadly speaking, of the life sciences and neuroscience ... With its overview of the new kinds of aesthetic-neuroscientific-evolutionary approaches, it is a must for those interested in these interdisciplinary ventures that are no doubt before us.' The European Legacy: Toward New Paradigms