The Return of Cultural Treasures
Cambridge University Press
Edition: 3, 12/6/2007
EAN 9780521802161, ISBN10: 0521802164
Hardcover, 522 pages, 24.7 x 17.4 x 3 cm
Language: English
In recent years controversial cases such as the so-called Elgin Marbles have prompted public debate on the return of cultural treasures to their homelands. In this fully revised and expanded third edition of her seminal work, first published in 2007, Jeanette Greenfield analyzes and discusses the historical, legal and political issues surrounding a wide cross-section of similar cases. Bringing the story up to date, this edition includes new chapters on wartime plunders, deliberately destroyed art and the return of ethnic art such as Australian aboriginal and Native American art. It also explores the palaeontological and marine archaeology issues at play and examines new approaches taken by museums when dealing with cultural objects and their return. Written in a highly accessible style with an interdisciplinary approach, this book will appeal to a wide range of readers interested in cultural heritage, archaeology and anthropology, museums, art history and international law.
List of illustrations
Preface to the first edition
Preface to the second edition
Preface to the third edition
Acknowledgements
List of abbreviations
Introduction Magnus Magnusson
1. The Icelandic manuscripts
2. The Elgin Marbles debate
3. British and other European practice
4. Some British cases
5. American and Canadian practice
6. Russia and the former Soviet Union
7. The Hebrew manuscripts
8. International and regional regulation
9. Art theft and the art market
10. Plunder
11. The first people
12. Ground zero
13. Homecomings
real and virtual
Notes
List of appendices in microfiche in first edition (1989)
Select bibliography
Select list of web sites
Index.
[Described the central topic of this book as] 'the morally rather beautiful idea that certain objects belong by right to a culture, and that in certain circumstances this overrides rights of circumstantial ownership.' Arthur C. Danto, Times Literary Supplement