The Cambridge History of Musical Performance
Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea (Music since 1900)
The Cambridge History of Eighteenth-Century Music (The Cambridge History of Music)
Western Music and Race
The Cambridge Companion to Conducting
The Cambridge Companion to Liszt (Cambridge Companions to Music)
The Early Horn: A Practical Guide (Cambridge Handbooks to the Historical Performance of Music)
The Cambridge History of Nineteenth-Century Music (The Cambridge History of Music)
Heinrich Glarean's Books: The Intellectual World of a Sixteenth-Century Musical Humanist
The Cambridge History of Seventeenth-Century Music (The Cambridge History of Music)
Music in Germany since 1968 (Music since 1900)
Sentimental Opera: Questions of Genre in the Age of Bourgeois Drama (Cambridge Studies in Opera)
Music and Decadence in European Modernism: The Case of Central and Eastern Europe
The Cambridge Verdi Encyclopedia
Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music (Musical Performance and Reception)
The Invention of 'Folk Music' and 'Art Music': Emerging Categories from Ossian to Wagner: 16 (New Perspectives in Music History and Criticism, Series Number 16)
Listening for Utopia in Ernst Bloch's Musical Philosophy
The Many-Headed Muse: Tradition and Innovation in Late Classical Greek Lyric Poetry
A History of Film Music
The Cambridge Companion to the Symphony (Cambridge Companions to Music)
Convent Music and Politics in Eighteenth-Century Vienna
The Cambridge Wagner Encyclopedia
The Cambridge History of American Music (The Cambridge History of Music)
French Music and Jazz in Conversation: From Debussy to Brubeck (Music since 1900)
