The Cambridge History of Musical Performance
Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea (Music since 1900)
Cymbeline (The New Cambridge Shakespeare)
The Cambridge History of Eighteenth-Century Music (The Cambridge History of Music)
Popular Musical Theatre in London and Berlin: 1890 to 1939
The Cambridge Companion to Twentieth-Century Irish Drama (Cambridge Companions to Literature)
The Cambridge History of Nineteenth-Century Music (The Cambridge History of Music)
Nonsense and Meaning in Ancient Greek Comedy
Sentimental Opera: Questions of Genre in the Age of Bourgeois Drama (Cambridge Studies in Opera)
The Cambridge Verdi Encyclopedia
Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music (Musical Performance and Reception)
Theatre and Government under the Early Stuarts
Staging Conventions in Medieval English Theatre
Shakespeare's History Plays: Performance, Translation and Adaptation in Britain and Abroad
The Cambridge Wagner Encyclopedia
Anglo-American Interplay in Recent Drama
A Philosophy of Cinematic Art
Shakespeare and Social Dialogue: Dramatic Language and Elizabethan Letters
French Music and Jazz in Conversation: From Debussy to Brubeck (Music since 1900)
Reception and the Classics: 36 (Yale Classical Studies)
The Federal Theatre Project: A Case Study (Cambridge Studies in American Theatre and Drama)
Treatise on Vocal Performance and Ornamentation by Johann Adam Hiller (Cambridge Musical Texts and Monographs)
Hélène Cixous: Critical Impressions (LIT Book)
Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon: 15 (Cambridge Studies in Music Theory and Analysis, Series Number 15)
