Modernism and Popular Music
Helmholtz and the Modern Listener
Purcell Studies (Cambridge Composer Studies)
Music Criticism in Nineteenth-Century France: La Revue Et Gazette Musicale De Paris 1834-80
Music Technology (Cambridge Introductions to Music)
Schenker Studies 2: Cambridge Composer Studies
Eight Centuries of Troubadours and Trouvères: The Changing Identity of Medieval Music (Musical Performance and Reception)
Schoenberg and Redemption (New Perspectives in Music History and Criticism)
Romantic Lieder and the Search for Lost Paradise
The Quilting Points of Musical Modernism: Revolution, Reaction, and William Walton (Music in Context)
The Cambridge History of Twentieth-Century Music (The Cambridge History of Music)
Stefan Wolpe and the Avant-Garde Diaspora: New Perspectives in Music History and Criticism, 23 (New Perspectives in Music History and Criticism, Series Number 23)
Early Music History: Studies in Medieval and Early Modern Music: Volume 14 (Early Music History, Series Number 14)
Heinrich Heine and the Lied
Britten's Unquiet Pasts: Sound and Memory in Postwar Reconstruction (Music since 1900)
Jewry in Music: Entry to the Profession from the Enlightenment to Richard Wagner
Ravel Studies (Cambridge Composer Studies)
The Prima Donna and Opera, 1815–1930 (Cambridge Studies in Opera)
The Rise of a Jazz Art World
New Music at Darmstadt: Nono, Stockhausen, Cage, and Boulez (Music since 1900)
The Cambridge Companion to the Musical (Cambridge Companions to Music)
