Harrison Birtwistle's Operas and Music Theatre (Music since 1900)
Just My Soul Responding: Rhythm and Blues, Black Consciousness and Race Relations
The Renaissance Reform of Medieval Music Theory: Guido of Arezzo between Myth and History
John Cage and David Tudor: Correspondence on Interpretation and Performance (Music since 1900)
The Life of George Frederick Handel: With an Introductory Notice by George Grove (Cambridge Library Collection - Music)
Treatise on Vocal Performance and Ornamentation by Johann Adam Hiller (Cambridge Musical Texts and Monographs)
Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon: 15 (Cambridge Studies in Music Theory and Analysis, Series Number 15)
Modernism and Popular Music
Helmholtz and the Modern Listener
Metaphors of Depth in German Musical Thought: From E. T. A. Hoffmann to Arnold Schoenberg: 21 (New Perspectives in Music History and Criticism, Series Number 21)
Purcell Studies (Cambridge Composer Studies)
Music Criticism in Nineteenth-Century France: La Revue Et Gazette Musicale De Paris 1834-80
Music Technology (Cambridge Introductions to Music)
Schenker Studies 2: Cambridge Composer Studies
Eight Centuries of Troubadours and Trouvères: The Changing Identity of Medieval Music (Musical Performance and Reception)
Exploring Bach's B-minor Mass
The Cambridge History of Eighteenth-Century Music (The Cambridge History of Music)
Portrait of a Castrato
Schoenberg and Redemption (New Perspectives in Music History and Criticism)
Romantic Lieder and the Search for Lost Paradise
The Quilting Points of Musical Modernism: Revolution, Reaction, and William Walton (Music in Context)
Georges Bizet: Carmen (Cambridge Opera Handbooks)
The Cambridge History of Twentieth-Century Music (The Cambridge History of Music)
Stefan Wolpe and the Avant-Garde Diaspora: New Perspectives in Music History and Criticism, 23 (New Perspectives in Music History and Criticism, Series Number 23)
