Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea (Music since 1900)
The Cambridge Companion to Liszt (Cambridge Companions to Music)
The Cambridge Companion to Mahler (Cambridge Companions to Music)
The Cambridge History of Eighteenth-Century Music (The Cambridge History of Music)
Heinrich Glarean's Books: The Intellectual World of a Sixteenth-Century Musical Humanist
The Cambridge History of Seventeenth-Century Music (The Cambridge History of Music)
Music in Germany since 1968 (Music since 1900)
Sentimental Opera: Questions of Genre in the Age of Bourgeois Drama (Cambridge Studies in Opera)
Music and Decadence in European Modernism: The Case of Central and Eastern Europe
Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music (Musical Performance and Reception)
The Invention of 'Folk Music' and 'Art Music': Emerging Categories from Ossian to Wagner: 16 (New Perspectives in Music History and Criticism, Series Number 16)
Listening for Utopia in Ernst Bloch's Musical Philosophy
The Many-Headed Muse: Tradition and Innovation in Late Classical Greek Lyric Poetry
A History of Film Music
Convent Music and Politics in Eighteenth-Century Vienna
The Cambridge History of American Music (The Cambridge History of Music)
French Music and Jazz in Conversation: From Debussy to Brubeck (Music since 1900)
Harrison Birtwistle's Operas and Music Theatre (Music since 1900)
Just My Soul Responding: Rhythm and Blues, Black Consciousness and Race Relations
John Cage and David Tudor: Correspondence on Interpretation and Performance (Music since 1900)
The Life of George Frederick Handel: With an Introductory Notice by George Grove (Cambridge Library Collection - Music)
Treatise on Vocal Performance and Ornamentation by Johann Adam Hiller (Cambridge Musical Texts and Monographs)
Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon: 15 (Cambridge Studies in Music Theory and Analysis, Series Number 15)
Modernism and Popular Music
