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US Foreign Policy and the Iran Hostage Crisis: 75 (Cambridge Studies in International Relations, Series Number 75)
Modernism and the Ideology of History: Literature, Politics, and the Past
Reading Heinrich Heine (Cambridge Studies in German)
Joyce, Race and 'Finnegans Wake'
International Business and Government Relations in the 21st Century
Jean Rhys: 7 (Cambridge Studies in African and Caribbean Literature, Series Number 7)
Family, Kinship, and Sympathy in Nineteenth-Century American Literature (Cambridge Studies in American Literature & Culture) (Cambridge Studies in American Literature and Culture)
Romanticism and Popular Culture in Britain and Ireland
Macroeconomic Policies of Developed Democracies (Cambridge Studies in Comparative Politics)
Political Parties, Games and Redistribution
The New American Cultural Sociology (Cambridge Cultural Social Studies)
Counting the People in Hellenistic Egypt 2 Volume Hardback Set (Cambridge Classical Studies)
British Fiction and the Production of Social Order, 1740ÔÇô1830 (Cambridge Studies in Romanticism)
Feminist International Relations: An Unfinished Journey: 77 (Cambridge Studies in International Relations, Series Number 77)
The Project of Prose in Early Modern Europe and the New World (Cambridge Studies in Renaissance Literature and Culture)
The Origins of American Literature Studies: An Institutional History (Cambridge Studies in American Literature and Culture)
Women and Religious Writing in Early Modern England
Archaic Times to the End of the Peloponnesian War: 1 (Translated Documents of Greece and Rome, Series Number 1)
Romanticism, Revolution and Language: The Fate of the Word from Samuel Johnson to George Eliot
The Literature of Labor and the Labors of Literature: Allegory in Nineteenth-Century American Fiction (Cambridge Studies in American Literature and Culture)
Blake, Kierkegaard, and the Spectre of Dialectic
Australia, Britain and Migration, 19151940: A Study of Desperate Hopes (Studies in Australian History)
Restoration Drama and 'The Circle of Commerce': Tragicomedy, Politics, and Trade in the Seventeenth Century
Images of Goethe Through Schiller's Egmont