'Counterfeiting' Shakespeare: Evidence, Authorship, and John Ford's Funerall Elegye
Authors to Themselves: Milton and the Revelation of History (Studies in Interdisciplinary History)
Blake, Kierkegaard, and the Spectre of Dialectic
British Modernism and Censorship
Clerical Discourse and Lay Audience in Late Medieval England (Cambridge Studies in Medieval Literature)
Criticism and Dissent in the Middle Ages
Deviant Modernism: Sexual and Textual Errancy in T.S Eliot, James Joyce, and Marcel Proust
Dickens, Novel Reading, and the Victorian Popular Theatre (Cambridge Studies in Nineteenth-Century Literature and Culture)
Epic and Empire in Nineteenth-Century Britain: 52 (Cambridge Studies in Nineteenth-Century Literature and Culture, Series Number 52)
Fundamentals of the Art of Poetry
Gender and the Italian Stage: From the Renaissance to the Present Day
H.D. and Sapphic Modernism 19101950
Jane Austen and the Theatre
Literature and Heresy in the Age of Chaucer (Cambridge Studies in Medieval Literature, Series Number 71)
Looking for Sex in Shakespeare
Mark Twain and the Feminine Aesthetic (Cambridge Studies in American Literature and Culture)
Miguel Angel Asturias's Archeology of Return (Cambridge Studies in Latin American and Iberian Literature)
Modernism and Time: The Logic of Abundance in Literature, Science, and Culture, 1880–1930
Modernism, Feminism, and Jewishness
Modernism, the Visual, and Caribbean Literature
Nature, Culture, and the Origins of Greek Comedy: A Study of Animal Choruses
New Essays on The Sound and the Fury (The American Novel)
Poe and the Printed Word: 124 (Cambridge Studies in American Literature and Culture, Series Number 124)
Poetry as an Occupation and an Art in Britain, 1760-1830 (Cambridge Studies in Romanticism)
