After Mahler: Britten, Weill, Henze and Romantic Redemption
Britten's Unquiet Pasts: Sound and Memory in Postwar Reconstruction (Music since 1900)
Edward Elgar and the Nostalgic Imagination
Electronic Music (Cambridge Introductions to Music)
Jazz Icons: Heroes, Myths and the Jazz Tradition
John Cage and David Tudor: Correspondence on Interpretation and Performance (Music since 1900)
Listening for Utopia in Ernst Bloch's Musical Philosophy
Music and Decadence in European Modernism: The Case of Central and Eastern Europe
Music in Germany since 1968 (Music since 1900)
Music Technology (Cambridge Introductions to Music)
New Music at Darmstadt: Nono, Stockhausen, Cage, and Boulez (Music since 1900)
Ravel Studies (Cambridge Composer Studies)
Schoenberg's Musical Imagination: 24 (Music in the Twentieth Century, Series Number 24)
Stefan Wolpe and the Avant-Garde Diaspora: New Perspectives in Music History and Criticism, 23 (New Perspectives in Music History and Criticism, Series Number 23)
The Cambridge Companion to Mahler (Cambridge Companions to Music)
The Cambridge Companion to Pop and Rock (Cambridge Companions to Music)
The Cambridge Companion to Shostakovich (Cambridge Companions to Music)
The Cambridge History of Twentieth-Century Music (The Cambridge History of Music)
The Music of Harrison Birtwistle (Music in the Twentieth Century)
The Quilting Points of Musical Modernism: Revolution, Reaction, and William Walton (Music in Context)
Tippett Studies (Cambridge Composer Studies)
Western Music and Race
