'Counterfeiting' Shakespeare: Evidence, Authorship, and John Ford's Funerall Elegye
A Handbook to Twentieth-Century Musical Sketches
A History of Asian American Theatre: 26 (Cambridge Studies in American Theatre and Drama, Series Number 26)
A History of Singing
A History of Theatre in Spain
A Philosophy of Cinematic Art
Acts of Activism: Human Rights as Radical Performance (Theatre and Performance Theory)
Anglo-American Interplay in Recent Drama
Aristophanes' Thesmophoriazusae: Philosophizing Theatre and the Politics of Perception in Late Fifth-Century Athens (Cambridge Classical Studies)
Cymbeline (The New Cambridge Shakespeare)
Dion Boucicault: Irish Identity on Stage
Early American Women Critics: Performance, Religion, Race
Early Music History: Studies in Medieval and Early Modern Music: Volume 14 (Early Music History, Series Number 14)
Fame Games: The Production of Celebrity in Australia
French Music and Jazz in Conversation: From Debussy to Brubeck (Music since 1900)
Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon: 15 (Cambridge Studies in Music Theory and Analysis, Series Number 15)
George Frideric Handel: Volume 1, 1609–1725: Collected Documents (Collected Documents of George Frideric Handel)
German and Dutch Theatre, 1600–1848 (Theatre in Europe: A Documentary History)
Greek Tragic Style: Form, Language and Interpretation
Hélène Cixous: Critical Impressions (LIT Book)
Histories of Heinrich Schütz: Musical Performance and Reception
Images of Goethe Through Schiller's Egmont
Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience
Jewry in Music: Entry to the Profession from the Enlightenment to Richard Wagner
