Modernism and Popular Music
Nonsense and Meaning in Ancient Greek Comedy
Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music (Musical Performance and Reception)
Pictorial History of Striptease
Plays by Henry Arthur Jones
Popular Musical Theatre in London and Berlin: 1890 to 1939
Reception and the Classics: 36 (Yale Classical Studies)
Restoration Drama and 'The Circle of Commerce': Tragicomedy, Politics, and Trade in the Seventeenth Century
Restoration Plays and Players: An Introduction
Roman Republican Theatre
Romantic and Revolutionary Theatre, 1789–1860 (Theatre in Europe: A Documentary History)
Schenker Studies 2: Cambridge Composer Studies
Schoenberg and Redemption (New Perspectives in Music History and Criticism)
Schoenberg's Transformation of Musical Language (Music in the Twentieth Century)
Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea (Music since 1900)
Sentimental Opera: Questions of Genre in the Age of Bourgeois Drama (Cambridge Studies in Opera)
Sexual Politics in the Work of Tennessee Williams: Desire Over Protest
Shakespeare and Social Dialogue: Dramatic Language and Elizabethan Letters
Shakespeare's History Plays: Performance, Translation and Adaptation in Britain and Abroad
Staging Conventions in Medieval English Theatre
The Cambridge Companion to Schumann (Cambridge Companions to Music)
The Cambridge Companion to the Actress (Cambridge Companions to Literature)
The Cambridge Companion to the Musical (Cambridge Companions to Music)
The Cambridge Companion to Twentieth-Century Irish Drama (Cambridge Companions to Literature)
